Incarnation (Boy), Tony Chun Huei WU, 2003

Imaging a queer cinema like ours (but what that is?)

As a child growing up in Taiwan in the 90s, I was fortunate enough to witness the openness of culture brought by economic development. To some extent, queer cinema belongs in this category. For many people at that time, film festivals provided valuable opportunities to understand LGBTQ people on screens from all over the world. The art of cinema and sexual minorities started to intertwine like the atmosphere of a carnival.

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